Choosing A Subject In Photography

How do you know what photos you will take?  Are you going to a family reunion?  Are you going out for a hike and hope to see some wildlife?  There are many questions when it comes to photography.  You will want to have a basis of photography techniques to provide the best photograph and once you learn those techniques the subject will be up to you.  Most photographers whether they are professional or amateurs like you will have a medium they work with.  It is the same with other artists; you have painters, sculptors, sketch artists, and much more.  Photography is art and therefore requires an eye for the right photograph.

How do you know what subject you will shoot?  This is where your interests lie.  If you wish only to take pictures of wildlife then you will have to wait for the subject to come into view.  Obviously you can go to a wildlife park such as the Rocky Mountain National Park and hope to find subjects.  Most often it will depend on the time of year.  Elk and Deer are more prominent when they come down the mountains to mate and eat.  Birds will always be available, but the type of birds will vary.  If you are in Alaska chances are you will have several chances of shooting a Bald Eagle, while in Florida you may find heron or cranes.  

When you are practicing techniques you will have to choose your subject accordingly.  A lot of us are regulated to the area around us.  Landscape photography requires the use of the land you have around you, unless you are going on vacation to some place new.  This is another important fact to choosing a subject.  You are either limited or you have the whole world at your feet.  It will depend on your traveling abilities.  For now we will stick close to home.

Once you choose your medium you will then go in search of subjects.  The subject that speaks to you is what you should choose to shoot.  If a tree and the knots it’s formed interest you, you will want to check the lighting of the area.  Deciding which angle to shoot from will also make the decision on the subject.  The lighting may not be right for the subject you have chosen and the other side of the subject may not yield the best picture.  

To choose a subject you will need a good eye for detail and observation.  Often the best subject is not the one you can see with a plain eye.  Have you ever looked at a tree and found a spider web hiding in the leaves?  If you look closer you might even find a spider.  A spider web can make a great picture not only because of the technique required to have the web show up in your photo with the silky threads, but also the pattern of a spider web.  We are fascinated with an organism that can create a symmetrical pattern.

Again your eye is the best tool for finding a subject.  How you choose the subject will depend on what is available, the angle and the light.  Moving slowly through an area such as landscape will help you determine the subject.  Looking under leaves or rocks is often beneficial to finding something new and different. You never know where you will find a picture just waiting for you to click a picture. Some people and animals do things that will never again happen and this is when you want to have camera available. Most people interested in photography carry a camera with them everywhere they go. If this sounds like a habit, a real habit turns into a hobby and a possible income if you become good at taking the right pictures. As you get better at taking the pictures, you can then start displaying your pictures for others to see and possibly buy.

What Do You Know About Stock Photography

Stock photography, groups of photographs that people take, grouped and licensed for selling purposes. Instead of taking new pictures every time they need pictures, many people use the stock photography method. People that work for magazines, as graphic artists, and advertising agencies sometimes use public pictures instead of hiring photographers for individual projects.

Alternate names for stock photography is picture libraries, photo archives or image banks. Typically, in order to use these pictures, although publicly available, there is a small fee or a purchasing of usage rights that comes with a fee in order to use the pictures. Sometimes a membership purchase allows you to have access to a particular group of stock photography.

Saving time and money, stock photography is a great way to enhance newsletters, blogs, advertisements, company brochures and more. It is obviously less expensive than putting a full time photographer on staff and takes less time if you need images of something specific. Many times, it is as easy as using a search engine or checking an email.

Sometimes full rights and usage is available for purchase. Other times, full rights are limited. In those cases, photographers might be requiring that they receive a certain percentage of sales and or royalties of usage. Agencies usually hold the images on files and negotiate fees. With the technology and easy access that the internet provides, negotiations are quicker and easier.

The cost of using stock photos depends on how long the pictures will be used, what location the images will be used, if the original photographer wants royalties and how many people the photo will be distributed to or seen by. Prices for stock photography can be anywhere from one dollar to two hundred dollars.

There are several different pricing arrangements. Royalty free stock photography allows the buyer to use photographs multiple times in multiple ways. When you buy royalty free pictures, there is only a one-time charge for unlimited usage. When the images you purchase have a royalty free section, the agency is able to resell the image to others. If an image is rights managed, there is a negotiated price for each time that it is used.

Sometimes a buyer of stock photography might desire to have exclusive rights to the images. In that case, no one else will be able to use the pictures once exclusive rights have been purchased. It may cost thousands of dollars to purchase exclusive rights because agencies who handle the sales have to make sure that they are making a profitable sale. If a photograph would make more money staying in circulation, they would lose out selling exclusive rights.

Stock photographers sometimes work with agencies producing images for them alone. Different subjects and categories might need multiple varieties of images. Sometimes contributors work for multiple agencies selling their photographs for a fee. They work out arrangements for royalties or they sell their shots for full rights. This has proved to be a big business for photographers around the world.

Stock photography started in the early 1920s. It especially grew as its own specialty by the 1980s. Galleries hold hundreds, thousands and even millions of pictures available for purchase. Stock houses sprung up in many different places. By 2000, online stock photography became microstock photography, which we call photo archives online. Companies like istock photo and bigstock photo offer you the opportunity to purchase so many pictures and when you use them up you can add more credits for another fee. Photos that are distributed online are typically less expensive than those that are sold hard copy.

Websites like www.shutterpoint.com and www.fotolibra.com allow stock photographers to upload and sell their images. It is a great way to market pictures and earn money with photography. You can also purchase images at those websites as well. With all the stock photography sites available, one may find pictures you never even heard of before.

Where to Go to Learn From the Photography Masters

Whether you are looking for the right path for your budding student photographer in your family or looking on how to jump-start your own photography career, the right school can make all the difference.  There is no question that photography is an outstanding career path with many different directions that someone skilled with a camera might go.  

The diversity of careers in photography is truly amazing.  From the base talent in photography and a solid understanding of new and emerging technologies, the sky is the limit for a talented photographer with a solid education under his or her belt.  That is because photography is both an art form and a solid technical skill.  So the same school might produce an award-winning artist, a successful wedding photographer, a fashion photographer, a police investigator taking pictures of crime scenes, or a crack newspaper photographer.

So the question emerges as to what kind of photography school to pick for yourself or the student in your family that wants the best education possible.  How you pick any school is very much influenced by both how you approach education in general and what your objectives are.

Some would advocate that you look to get into the finest artistic photography schools in the country.  If you wish to go down that path, then for sure the Brooks Institute of photography or one of the elite east coast schools of artistic photography is a noble ambition.  But there are three drawbacks to trying to attend such schools.  First is, of course, the potential cost.  Any elite school is going to charge elite prices.  And if you are like most of us, you want to get the most education for your money.  So doing some caparison shopping for a school is in order.

The second drawback is getting admitted.  Most of the top-flight schools have waiting lists and tough entry requirements that may make that ambition more demanding than is necessary.  But the most meaningful drawback is that these schools may not be the right choice for the career you or the photography student in your life may wish to pursue.  So a good general set of guidelines on how to evaluate a wide variety of photography schools is in order.  The guidelines might include…

. What kind of photography is right for the student?  A program geared toward artistic photography that will result in pieces hanging in a modern art museum will have a very different approach than a program to train forensic photographers.  Your student may not know right away what field they want to go into.  If so, getting started at a generic school such as a photography emphasis at the local junior college may be the right choice until the career path becomes clearer.

. Is it a legitimate school?  You want to avoid schools that are run from the internet or that you read about on the back of a matchbook.  A legitimate school will produce a recognized degree that will be well respected in the industry and will help the student get jobs.

. What is available locally?  Why go out of town or out of state if you have good local schools?  Many state universities, junior colleges and local tech schools have find programs.

. How diverse and up to date is the program?  Will your student get exposed to the newest of technology in the field of photography?  Will they get trained in how to service many different types of photography assignments?

. How does the program’s job placement rating look?  What percentage of graduates from this program get jobs?  How well respected is this school by businesses who employ photographers?

These are solid evaluation criteria.  And if you apply these standards to a couple dozen of the finest schools both locally and nationally, before long a short list of good schools will emerge.  From there, some site visits and interviews with teachers and graduates will narrow things down.  And you will be glad you “did your homework” to find the kind of photography school that will take you or the student in your life to the next level of success in their love of photography.

The Power of Black and White Photography

It’s interesting how sometimes older technologies or art forms take on an even greater value when they are made obsolete by the new and modern.  This is certainly true of black and white photography.  When color photography came on the scene, it seemed the days of black and white in both video and photography were over forever.  

But that was certainly not the case.  Over the years we have seen black and white take on a new artistic value in both genres.  In fact, it is not at all unusual any more to see a very modern movie filmed entirely in black and white.  It is also common to visit a fine art museum and find a photographic art display that uses black and white extensively.  Black and white has some artistic and emotional qualities that are just not possible to achieve in color photography.

Probably the strongest quality that grabs the viewer with a black and white photo is its emotional power.  Even if the photo is just of an old barn or an antique car, there is an emotional appeal that is difficult to analyze in words but universal to all of us as we look at a black and white shot.  That is why black and white photos almost instantly take on an artistic look.  So if you are evolving your artistic photography style and portfolio, including some experimentation with black and white will do a lot to improve your work.

Black and white also focuses the eye on the emotional center of the piece.  Probably the best subject for black and white photography is the human face.  In even a tranquil expression, the viewer can see such a vast range of expression in the eyes, the tilt of the head, the subtle wrinkles or peculiarities of the face and the focus of the gaze.  

Black and white almost always invites the viewer to want to know about the story behind the picture.  If it’s a landscape, “What happened here?” is the question that often springs to the mind of the viewer and the longer they gaze at the photo, the more their imagination fills in the details.  If you are viewing the face of a serene or melancholy girl, it is almost impossible not to wonder what she is dreaming about or what of life’s issues is weighing on her mind.

Along with the emotional power and the way black and white compels the viewer to search for meaning, black and white carries with it a tremendous romantic power that touches the heart in a powerful way.  That romance can easily translate over to the sensual or even the erotic without having to become pornographic to achieve that effect.  Shots that are trying to evoke the power of sensuality and romance do well when they involve moisture or a water scene such as the beach.  Despite the lack of color, these colors appeal to the five senses in ways that color can never hope to achieve.

You can experiment with black and white and gather the responses of friends and family to learn how to utilize the subtle but powerful artistic nuances that seem to come with black and white photography almost unconsciously.  The digital camera has ushered in a whole new era of black and white photography.  You see the form used even in otherwise non artistic settings like wedding portfolios or anniversary pictures.  That is because of that emotional and romantic power that black and white conveys.  

If you have not started to experiment with black and white shots, it’s worth the time to learn how to capture the powerful images this type of photography can make possible.  Along with the creative use of light and framing, black and white gives itself well to editing that you can do with Photoshop to bring out the emotional center of each shot.  Before long, you may actually find your self seeing black and white shots in a color world.  Your awareness of what will make a great moment in this format will become acute and you will be ready to capture those moments spontaneously, which is always the best kind of photography.

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A Career In Fashion Photography

We see them everywhere, in Magazines, on the Run Way, in advertisements on TV. They are the slender women strutting their stuff or extra ordinary Beauties with their sultry looks flashing their pearly whites while wearing the newest Styles from the hottest Designers. We are talking about the fashion models of today, yesterday and tomorrow. They are everywhere we look, but who brings them to us? Their images are captures with care and precision, patience and that special look for style, color and lighting composition. I am talking about the fashion photographers.

In the fashion circles famous names like Mario Testino (easily one of the hottest names out there) and Eva Mueller (photographer for Fashion Magazine Allure) are just as sought out if not more then those men and women sauntering their way into our conscious.

High Paychecks and glamour’s Lifestyle of hob nobbing it with the rich and famous might be the dream of many young shutterbug, however it is not easy to reach the golden Staircases of the well-known fashion houses and magazines. For every one talented photographer, hundreds are left panting at the sidewalk, only dreaming about the moment that their photo will be chosen.

Here are a few tips for the novice and dreamer of dreams in getting started in fashion photography. Study your subject. You can never learn enough. Read and look at any fashion Magazine you can get your hand on. There are fantastic books on Fashion and fashion photography available. Amazon.com has a true treasure trove available.
You need one or two good cameras, tripod and a lighting system. Always make sure that you have plenty of film and batteries available. SLR and digital cameras take different photos, so make sure you find the best for your field.

When submitting your work, hopefully to give a chance you have to have a portfolio on hand, just in case the editor of the fashion magazine wants to see samples of your work. I assure you if they consider working with you that is going to be a fact.

The sharp, bright images of a 4X5” transparency show of your work to its best effort. If you have already had a publication, no matter if, it was a small neighborhood magazine/paper or a contest a tear sheet (literally a sheet you tore out of the magazine) works well. If neither is at hand a good high quality 8 X 10 “is acceptable as well. You want to make sure that you have a minimum of 20 photos in your portfolio and preferably different styles. You want to show your expertise in full figure or just partial body parts.

Remember, fashion includes jewelry and accessories. Sometimes a watch from a famous maker on the slender wrist of a beautiful woman is a good fashion shoot. If you are applying for the job, be prepared to leave your Portfolio behind for an extended period of time, sometimes as much as a couple of weeks. I would advice you to make copies and have several on hand. This comes in handy when showing your work to many different people for consideration for fashion work.

In the time of modern technology, it is good to display your talent as a fashion photographer online as well. Set up a website; submit your photos to contests. Submit them to an online fashion gallery. This helps with getting your work seen and people can see what type of work you actually do and can do for them. 

Still Life Photography Techniques

There are many mediums to choose from in photography.  Often a person will begin with still life photography and work their way towards portraits, wildlife, or landscapes depending upon their interests.  Still life photography teaches a person to use light and shadows to find the emotion of the object.  Here I will discuss many different aspects of still life pictures. 

Still life expresses the photographers self while using in animate objects such as pottery, flowers, candles, leaves, and fruit.  The first step in still life photography is the lighting.  You will want the object to have light from a single direction, so that you can cast shadows as well as light on the object.  This will give it a depth of field, and dimension.  You will need to choose whether you want a soft or harsh light.  The more harsh the light the more shadow you will have.  Often in still life reflectors are used to tone the light down.  The best type of lighting for still life photography is side- lighting because you will attain more contrast between the object.

With still life photography, you have color control.  You can choose the colors of the objects you use.  When choosing the colors say with leaves and fruits you will want a contrast in colors, but retain a natural look.  Harmony is the best word to use when attaining color control.  The color will attract the viewer’s eye, so if it is displeasing to you the chances are your viewers will find it just as displeasing.

With still life, you can choose an abstract motif.  You may choose to put two objects together that do not make sense, but create a moving picture.  You might have an interesting cut on fruit, such as a melon to reveal the inside core.  The angle of the cut and the meaning of the picture will require thought from the viewer. Some viewers see different from what another viewer might see. This happens in the art world daily. What one thinks represents art another finds unappealing. Never let these influence your dreams and stop you from becoming even better in your work as a photographer.  

You can also have control of variations.  You can use the same subject repeatedly with different backgrounds, arrangements, and other objects.  The key is to avoid clutter while creating contrast.  The rule of thirds of composition is a great way to utilize still life objects.  You can create a pattern based on the rule of thirds.  Setting up the arrangements and trying several shots will lead you to finding the harmony between the objects.  

You may think still life photography lacks the depth of other mediums; however, it can be used as a stepping-stone to greater photography.  Still life can include an arranged garden to please the eye or a natural look.  You can use natural light to offset the shadows and find the contrast.  Still life inside or outside creating the arrangements is just one way to find pictures you will wish to display or give to friends.  Remember lighting, color, and variations on arrangements will provide you will tons of subjects.  

Applications for still life photography can include taking photographs for magazines.  Often magazines have still life photos to show flower arrangements or decorating ideas for the home.  With the many choices in photography, still life takes a special eye for arranging objects and understanding lighting techniques.  With all of photography being art you need to pick the subjects that will speak most to you and make them speak to others. These types of pictures go well when deciding to sell your photos or display them for the public. All pictures whether you think it or not may be just what someone wants to display and may offer to buy it. This helps you start a real goldmine of a business if you feel confident with your work.  

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In Praise of Digital Photography

In any discipline, you will have what many think of as “the purists”. Purists are those who revere the way things have always been done and view new innovations in the field as upstarts and obviously of poorer quality than the tried and true methods.

This is nowhere more true than photography. For decades the film and chemical processing method has undergone continual refinement to achieve higher and higher levels of sophistication and to find higher levels of quality. Small wonder that when the digital revolution came along, “the purists” were, to say the least, a bit snobby about the idea of professional photography moving in this direction.

But there are some genuine reasons to at least incorporate digital technology into your professional photography game plan. These reasons are compelling enough that more and more we are seeing the big studios going all digital. So if you are running an independent photography business or if you are “just” a photography hobbyist (and thank God for the hobbyists), you may have to think through the value of moving to digital processing yourself.

Ease of Use.

The amount of fuss and sheer “stuff” of doing a shoot digitally is dramatically less involved than using the older technologies. Witness how the digital revolution in photography has revolutionized the personal camera world. Now people can take as many pictures as they want and have them to review virtually instantaneously.

Probably the biggest leap forward in the use of digital photography is that you can do re-shoots quickly, easily and for virtually no cost. If you conduct a portrait session with a customer, you can have the “stills” of the session available almost as soon as the session is done. If a shot was good but not perfect, you can correct it and re-shoot immediately saving huge amounts of time and improving the chances you will get the portfolio you want and that the customer wants on the first session.

Rapid Customer Service.

The impression we get when a technology delivers so much value to the public is that quality will go down. But, amazingly, this is not the case with digital photography. If anything, the quality of the photographs is as good or better than any we could do with prior technologies. And the cost both to you as the photographer and to your customer drops off so dramatically that the age old complaint the customer has had about professional photographs costing too much can be eliminated making the customer want to use your services more often.

Digital photography, being a child of the internet and the digital revolution that has swept our lives via personal computers, can be delivered in a myriad of ways and at a speed that was unheard of prior to the arrival of this technology. We can deliver the photos via email, by posting them to an online gallery or by burning them to a DVD or CD so the customer can order lots more shots for the same cost and have them delivered in a way that easy to view and store.

Editing

Editing has similarly moved from the realm of the back room wizards to something any of us can do due to the sophisticated computer programs, such as Photoshop, that we can use to improve the pictures we take. It is really amazing the effects that can be imposed on a picture with this software. But more importantly we can so much more easily correct minor problems with a photograph so what might have been a lost session can be improved to become acceptable with some clever use of digital editing.

In virtually every way, digital photography, delivery and editing is superior to the way “the purists” would have us hold on to. It makes our lives as photographers easier, faster and more profitable. But above all, this is something our customers want us to use. They get to enjoy their pictures so much faster, at a more reasonable cost and the pictures can be emailed to friends and posted on their family web sites which is fun for everyone. So despite our desire to be “purists”, every reason we need is there to convince us that digital photography is the way to go.

History Of Photography

Have you ever wondered where modern photography originated? While we are now moving into the digital age and away from film, the lighting techniques and other photography techniques began in the 1820’s. Niepce and Daguerre were the first inventors of modern photography. They used a chemical component from silver and chalk, which darkens when exposed to light. This type of technology used a glass negative to cement the picture.

From the early cameras seen in western films we have moved on to manual cameras with film. This film or negative captured the image on a roll to be developed in a dark room to prevent over exposure. The manual cameras used a theory of setting up shots. You had to understand aperture, shutter speed, white balance, and metering to obtain the best picture possible. This meant you spent a lot of time setting up the shot and had to be a professional to catch wildlife in their natural habits.

Aperture is measured by F-stops, or the amount of light the lens will let in. Focusing and depth of field are also important when setting the aperture on your camera. You have to know what numbers will allow more light to enter the lens and the converse to avoid over exposure and blurriness. Shutter speed is the amount of time a lens is open for the picture. You may have found in a darkened room without flash your camera takes a while to imprint the picture on the negative. This is because the light is dim and the shutter must correct for the lack of light. The lack of light induces a need to expose the film longer to obtain the picture where as more light will have the shutter moving at a faster speed.

From the manual cameras we moved into the automatic. The camera became lighter. The shutter speed and aperture was programmed into the camera by the settings. ISO became important. ISO is the film speed. Instead of taking minutes to set up a shot you just had to pick the correct setting and hold the button down to focus. Many cameras came as automatic with manual options for those who still liked to treat photography as an artistic vocation.

Digital cameras are the new era in photography. Now we can see the picture we take without the use of film and negatives. We can send the pictures to all of our friends and use our home printers to create prints. Photography has moved from the concentration of taking the perfect shot with a skill born to a few to everyone taking pictures.

This is not to say photography and photographers will not remain. There is still the need for quality in taking professional grade photographs. Light sensitivity is still important when dealing with a digital camera and unless you spend a lot, you will find quality of photographs is still missing. Photograph techniques lay within the lighting provided whether natural or artificial for the subject. You might wonder how to create a photograph in a dark room like a museum to share with your friends and family. Knowing the past photography techniques will help you in attaining that perfect photograph with your digital camera. Photography may have originated with few people, but we can see the advancements their inventions have led us to now.

Basics of Photography

If you are a sports fan, you know what it means when a team goes into a “rebuilding year”. It is just when the owners or coaches decide its time to train new members and correct bad habits in others. And invariably, what team leadership says when they go into such a time is that they are going “back to basics.”

Sometimes it’s good for us as photographers to go back to basics. And, of course, if you are just getting started in the world of photography and want to learn “the ropes”, the basics are a natural start. But you want the basics of what the professionals know about the craft of photography.

Anybody can take a picture. I attended a wedding reception where the wedding party left a disposable digital camera on each table at the reception for guests to snap photos. Before the evening was over, it was the children who were running around taking pictures of everything from the dirty dishes to their own underwear. These were not photographers and while those pictures will no doubt get a few chuckles, these are not the kind of professional pictures people want for their long-term memories.

Obviously, the cornerstone of the basics of photography is the camera. When you see a camera geek walking around with enough equipment on his neck to launch a space shuttle, you get the impression that cameras are phenomenally complex, more than mere mortals can grasp. But look at the professionals and you see them working with portable, relatively easy to operate cameras. That is because the basics of running a camera come down to aperture and shutter speed.

Now don’t get nervous about fancy terms. Aperture is just a term for how wide your camera lens is open to let in light. And shutter speed is just how long you let the light come in to affect the picture. For getting a shot of a fast moving event, you want a wide aperture to let in a lot of light but a short shutter speed so you capture the event quickly and close the window so the picture is caught before more light hurts the quality.

Photography is really all about light. You can and will get learn a lot about lenses and flash photography and other ways to turn the control over the lighting of a shot to you. So add to your core skills of photography a willingness to never stop learning. The better and more sophisticated you get in your ability to work with the equipment, the more you will learn and the more you will want to learn.

You can get a greater control over these basic controls of the camera such as aperture and shutter speed by learning how to switch from automatic settings to manual settings. The automatic settings of any camera are just there for the general public who are not interested in learning the basics. So they give you some basic settings like landscape, portrait and sports settings. By switching to manual, you can learn what settings work best in different situations.

And that takes us to the most important basic about becoming a great photographer and that is practice. Take some time with your equipment and play with it. Take it to situations and take photos with different aperture and shutter speed settings, in outdoor and indoor settings and different orientations to light. Don’t get upset when some shots don’t work. That’s part of the learning curve.

By learning by doing, you will build your confidence in your work and eventually become a great photographer. But don’t get cocky, there is always more to learn. And that is one of the fun things about photography, isn’t it?

photography is art ?

The controversy about whether photography is art is one that has been raging in the art world for a long time and we are not likely to totally solve it here. But it can be an important decision you have to make if you are considering a career in photography with the goal of producing quality art works. If that is where you are, the idea that someone would say “That’s not art, you just took a picture” is pretty disturbing. So it’s worth looking at the question from several different angles before we pick which side to weigh in on.

Of course, art is a subjective thing. Many people would look at a Jackson Pollack “splatter” artwork and determine most definitely that modern art is not art because it “doesn’t look like anything.” And if you spend any time in the modern art world, you will definitely see something at some time along the way occupying space in a perfectly respectable art museum that, to you, could never be considered art.

So is it just a matter of opinion? To some extent, yes. But there is an art world and an industry behind it that depend on there being some standards upon which art is judged. One such standard is the intent of the artist. If you produce a photograph or an art work derived from a photograph that is intended to be viewed as art, then the viewer is obligated to try to see the artistic merit in it. Whether the viewer sees that merit or not may depend on the viewer’s abilities, how good you are at getting your artistic message across or many other factors.

But just wanting something to be art doesn’t make it art does it? As a layman in the art world, I sometimes go with the “I don’t know art but I know what I like” system of evaluating pieces I see. Art, after all, has a tendency to touch us in another place that is above and beyond the image. It is an emotional place, a place of reflection and understanding. Maybe we would say it touches our “soul”. For a work to be art, there should be a message, a feeling, a reason the artist made the work because he or she wanted to say something, even if how I interpret the statement is different than what the artist meant.

So that might also be an evaluation of a photograph as to its artistic merit or not. Now the primary objection to whether photography is art sometimes is that a photograph is often a realistic depiction of a moment taken with a machine and some would say that “anybody can take a picture.” The implication is that the same mechanical skill it might take to paint a picture of sculpt a statue is not needed for photographic art.

It’s true that the mechanical skill that the guy at Wal-Mart might need to take baby pictures may be the same as a great photographic artist might need. But the objection doesn’t hold up because the same human language is used to create great poetry as it takes yell out obscenities at a baseball game. So it isn’t the skill that makes it art.

Good evidence comes from the credit some great art experts have given to photographic exhibitions in the fine museums in the world. The very fact that photography is considered art by those who know may be evidence enough. So the conclusion must be that because the arguments against the artistic value of photographs are weak and people who know consider photography to be art, then we are safe in viewing what we do artistically too. And that opens up that side of your soul to express yourself through the medium you love the most – photography.